ISLAND SOUNDS
Auspicious CDs from three local talents
By Wayne Harada
Advertiser Entertainment Writer
Pali is at the peak of its creativity, sharing a marvelous "tribute" album that examines the artistry of a half-dozen acts from the recent past. The concept is brilliant, the execution flawless — this CD should carry the group through much of 2007.
Ho'ala also takes a reflective position, largely in the Hawaiian realm, in its recent album.
And Sean Tiwanak's debut disc has been part of his healing pro-cess, and should find shelf life of its own.
"PALI PRESENTS A TRIBUTE" BY PALI; TROPICAL MUSIC INC.
A quick listen, from top to bottom, and you'll recognize that the homages are adoring interpretations of the earlier sounds and songs, not a copy-cat salute. The 11 titles span a mix of styles and textures, like the sweetly nostalgic "Only Good Times" and the reverent "Honolulu City Lights" or the tropical allure of "Island Love" to the mood-changing "Sun Lite, Moon Lite."
It's also rediscover time, with the fresh minting of "You and Me" and "Railway Stations," the former with some family ties (Pali Ka'aihue is a cousin of C&K's Henry Kapono Ka'aihue, who guest-sings here), the latter with a splendid "train" intro via harmonic that, well, both is Country and Comforting.
Also wonderful: the tone and harmony on "Mama" and the timeless poetry of "Ballad of Keawaiki" and the wisdom of "You and Me." Henry's (C&K) imprint, along with participation by D.J. Pratt, Malani Bilyeu (Kalapana), Charles Recaido (Summer), Randy Lorenzo (Country Comfort, the Peter Moon Band) and Cyril Pahinui (on ki ho'alu), add expanded interest and appeal to the concept.
The liner notes are bountiful, complete with images of the original albums from which the revivals were derived, plus enlightening reasons why specific titles were selected in the tribute. The only question that might emerge — and this is not meant to question Pali's choices — surrounds the exclusion of acts such as Olomana and The Brothers Cazimero, among others, that were part of the renaissance that helped shape the contemporary Island music we know and love today. Can't argue, however, with the quality, the invention, the fresh outlook in the vintage material — a chance for newcomers to reexamine the oldies and the oldtimers to reflect on the past.
"HO'ALA" BY HO'ALA; HO'ALA RECORDS
Members are Abraham "Kiki" Keala (formerly of the Blalas and Three Scoops of Aloha), Kalani "Mr. Offisah" Miles, Lanakila "Kila" Makua and Darren K. Ho'opi'i. Titles in Hawaiian, like "Pauoa Liko Ka Lehua," "Keaukaha" and "Ka Pua" fare better than the countrified "Goodtime Charlie," simply because the group seems in better touch with its roots when in the Hawaiian groove. Further, the group's interpretive skills may spike airplay for a modernized "Kona Kai O' Pua." Plus a lovely falsetto effort, too, on "Ku'u Wa Li'i Li'i."
"HOME TO ME" BY SEAN TIWANAK; NA'IO PRODUCTIONS
Reach Wayne Harada at wharada@honoluluadvertiser.com.